Artist's Statement 2012I make things that are true-to-life and made to last. For example, people are cut out of metal, and have knees and elbows. Even dreams, memories and the distant past must be made into real places that can be visited at will. I want to walk around the block, knock on a door and enter my dreams. A photo of a dream becomes a record of a real event. Photos enshrined in brass-bound books are more true than a single photo in a frame. A thousand years from now, someone will find my brass book in a heap of rubble and wonder what does this mean? Making that book out of brass and copper takes much longer than paper, but it also makes the book more real and unchanging. |
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Artist's Statement 2011Last year's Cretaceous dreams are subsiding, Zymoglyphic dreams are filling in: visions of books and collage rise up in my mind day and night, possibly triggered by too much time spent in the darkroom. |
Artist's Statement 2010The projects I'm working on right now are inspired by Cretaceous dreams and my fascination with building pinhole cameras and taking photos with them.
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Artist's Statement 2006Its very hard to write an artists statement. What can I say? I love the materials and the processes? I do, but theres much more. I could say that I started making art as a kid, drawing in books and getting in trouble in school for doodling everyones initials into a little picture. Thats amusing, but not what drives my art today. If it werent for the pull of the content in my work, I wouldnt be making art now. As I get older, I realize more and more that for me the power of making things isnt about ideas, materials or processes. Its about the emotional content. Art is my spiritual life. With art, I can imagine where we come from before were born, and where we go when we die. |
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